Passing Through Moving In - New York City Graffiti Photographs 1972-73
Passing Through Moving In - New York City Graffiti Photographs 1972-73
From 1972 to 1973, Gordon MaAa-Clark took over fifteen hundred photographs of graļ¬ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clarkāan artist who used the cityās crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publicaLon features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artistās archive. Taken together, these pictures demonstrate Matta-Clarkās obsession with the graļ¬L that had exploded across the cityās walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards. While he was out on these documentary missions, MaAa-Clark also photographed abandoned architecture, infrastructure, and the social life of the city. Those pictures are included as well, as they show the relationship between graļ¬ti and themes that are more commonly associated with the artistās work. An essay by Antonio Sergio Bessa and a text by Jonathan Lethem accompany the photographs.
- 1008Ā pages
- 2025
- 230mm Ć 180mm
- Hardcover
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Passing Through Moving In - New York City Graffiti Photographs 1972-73
Passing Through Moving In - New York City Graffiti Photographs 1972-73
Passing Through Moving In - New York City Graffiti Photographs 1972-73
From 1972 to 1973, Gordon MaAa-Clark took over fifteen hundred photographs of graļ¬ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clarkāan artist who used the cityās crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publicaLon features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artistās archive. Taken together, these pictures demonstrate Matta-Clarkās obsession with the graļ¬L that had exploded across the cityās walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards. While he was out on these documentary missions, MaAa-Clark also photographed abandoned architecture, infrastructure, and the social life of the city. Those pictures are included as well, as they show the relationship between graļ¬ti and themes that are more commonly associated with the artistās work. An essay by Antonio Sergio Bessa and a text by Jonathan Lethem accompany the photographs.
- 1008Ā pages
- 2025
- 230mm Ć 180mm
- Hardcover
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Passing Through Moving In - New York City Graffiti Photographs 1972-73
From 1972 to 1973, Gordon MaAa-Clark took over fifteen hundred photographs of graļ¬ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clarkāan artist who used the cityās crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publicaLon features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artistās archive. Taken together, these pictures demonstrate Matta-Clarkās obsession with the graļ¬L that had exploded across the cityās walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards. While he was out on these documentary missions, MaAa-Clark also photographed abandoned architecture, infrastructure, and the social life of the city. Those pictures are included as well, as they show the relationship between graļ¬ti and themes that are more commonly associated with the artistās work. An essay by Antonio Sergio Bessa and a text by Jonathan Lethem accompany the photographs.
- 1008Ā pages
- 2025
- 230mm Ć 180mm
- Hardcover
























